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HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
Cembalo Continuo	15	20	4	6	77%
	20	2	4	3	89%
Oboe 2	15	0	3	5	89%
Viola	15	0	0	3	80%
Violin 1	19	0	1	6	80%
Violoncello Continuo	15	0	1	3	80%
Violone Continuo	15	0	1	3	80%
Violin 2	18	0	2	5	77%
Tenor as Fernando	15	0	4	8	55%

Che farò senza Euridice? — C. W. Gluck, “Orfeo ed Euridice”

Alexander Evstyugov-Babaev

3:17	Est. Play Time
67	Measures
	1,227Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
4 Violini II	14	2	2	4	99%
Cembalo	18	45	5	3	98%
	17	0	3	3	97%
2 Celli e Contrabasso	17	0	3	3	97%
Contrabasso	17	0	3	3	97%
Orfeo	15	0	4	6	82%
Effetti MIDI	7	1	1	2	4%

O Mio Babbino Caro- Puccini (Gianni Schicchi)

Owlman142

1:25	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
Violini I.	15	7	1	5	94%
Violini II.	16	10	0	5	94%
Contrabassi.	7	0	0	2	84%
Arpa.	16	4	0	2	48%
	20	7	1	2	79%
LAURETTA.	10	0	0	4	78%
Clarinetti 1. e 2. in Si ♭	13	5	0	5	62%
Oboi 1. e 2.	10	10	1	5	59%
Flauti 1. e 2.	16	4	0	4	58%
Corni 1. e 2. in FA amp;quot; 3. e 4. amp;quot;	2	1	0	3	6%
	9	1	1	4	51%
Fagotti 1. e 2.	7	3	1	5	38%
Corno Inglese.	7	0	0	5	28%
Trombe 1. 2. e 3. in FA	8	3	1	2	25%
Clarone in Si ♭	4	0	0	2	13%

Work of Zwink 9

Zwink, Tyler

4:32	Est. Play Time
104	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	2	5	3	85%
	16	14	4	4	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	2	5	3	85%
	16	14	4	4	96%
Bass	13	1	3	7	68%
Electric Guitar	11	0	3	4	35%

Золотой петушок

Ivan P

4:08	Est. Play Time
80	Measures
	2,282Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
V. Celli	34	1	20	8	87%
Violini I	35	3	22	7	82%
View all 28 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
V. Celli	34	1	20	8	87%
Violini I	35	3	22	7	82%
C.-Bassi	19	1	9	7	80%
2 Fagotti	31	0	17	8	75%
Viole	27	10	12	8	72%
Violini II	29	7	15	7	71%
2 Oboi	26	0	16	8	60%
2 Flauti	32	0	22	9	56%
2 Clarinetti in B	37	0	15	8	49%
2 Arpe	36	9	21	6	43%
	27	9	15	6	22%
4 Corni in F	16	0	3	5	28%
	19	0	6	5	41%
Corno Inglese	18	0	10	5	30%
2 Trombe in C	16	0	3	5	29%
Flauto piccolo	20	0	14	6	23%
Contrafagotto	8	0	3	5	22%
Звездочёт	16	0	6	5	22%
2 Clarinetti in A	34	0	20	8	21%
Timpani	2	0	0	3	20%
3 Tromboni	6	0	1	2	4%
	9	0	0	3	19%
Campanelli	13	0	5	1	14%
Clarinetto-basso in A	11	0	4	4	14%
Clarinetto-basso in B	7	0	2	3	8%
Celeste	16	12	7	1	4%
	12	8	5	1	4%
Tuba	6	0	1	3	3%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
Violoncello Continuo	17	2	1	3	86%
Violins	15	0	2	8	73%
Rodelinda	13	0	3	5	68%
Contrabasses	14	0	0	3	60%
Violincello Continuo	14	0	0	3	60%
Violas	13	0	2	5	55%
Bassoon Continuo	14	0	0	3	15%
Oboe	10	0	0	6	14%

Verdi, Rigoletto: Act 2 - Scorrendo uniti

Mélisande

2:23	Est. Play Time
67	Measures
	4,135Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violon	20	20	3	5	97%
	30	26	8	8	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violon	20	20	3	5	97%
	30	26	8	8	100%
Violoncelle	21	3	4	8	100%
Alto	18	25	4	4	97%
Contrebasse	14	0	2	4	97%
Basson	22	26	6	7	94%
Hautbois	20	22	6	7	93%
Basses	18	2	4	7	86%
Borsa	19	0	5	8	85%
Ceprano	17	0	3	7	85%
Marullo	16	0	4	7	85%
Ténors	20	21	6	8	85%
Flûte	18	0	4	8	82%
Duc	6	0	1	4	18%

HWV19A3N20 - Vivi, tiranno (Bertarido) in Bb Major

edward.maurath

5:15	Est. Play Time
113	Measures
	1,931Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	23	51	5	7	82%
	20	1	4	6	98%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	23	51	5	7	82%
	20	1	4	6	98%
Cembalo Continuo	22	51	5	7	79%
	23	21	5	6	98%
Bassoon Continuo	20	0	4	6	95%
Violin 2	21	0	6	5	87%
Violoncello Continuo	19	0	4	5	82%
Double Bass Continuo	19	0	4	5	81%
Viola	16	0	2	4	81%
Castrato Alto as Bertarido	14	0	4	8	66%
Violini 1	15	0	4	5	65%
Oboe 1	15	0	3	6	42%
Oboe 2	20	0	6	6	42%

The Degradation of the Chorus

Jesse David Sykes

4:13	Est. Play Time
119	Measures
	2,721Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	29	8	6	62%
	19	13	5	4	63%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	29	8	6	62%
	19	13	5	4	63%
Bass	16	10	3	12	85%
Tenor	13	9	2	11	80%
Alto	11	0	1	10	79%
Soprano	19	2	3	9	78%

Richard Wagner - ENDE.zu.GOTTERDAMMERUNG in Full score. {Unfinished.}

Jamie Holdham

6:13	Est. Play Time
185	Measures
	8,121Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	34	23	30	13	96%
Violas	34	22	30	13	92%
View all 40 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	34	23	30	13	96%
Violas	34	22	30	13	92%
Violoncelle.	38	0	31	14	89%
Violoncellos	38	0	31	13	89%
Violins	35	29	29	13	89%
Violinen.	42	6	34	13	78%
Horn in F	25	20	23	12	71%
Horner.	23	21	19	12	69%
Oboe	22	1	19	12	59%
	26	4	16	12	68%
Hoboen.	24	0	16	12	67%
Clarinetten. (B)	30	1	20	12	56%
Contrabasse.	27	0	18	9	55%
B♭ Clarinet	31	0	24	12	51%
	26	22	17	12	53%
Bassoon	22	1	16	9	50%
	28	0	18	13	47%
Fagotte.	22	0	15	10	50%
4 Posaunen.	22	6	12	10	47%
Tenor Trombone	22	14	12	11	44%
Flute	12	0	8	10	27%
	22	4	15	12	42%
Trompetten.	18	0	14	10	37%
Floten.	17	4	12	11	37%
Englishes Horn.	17	0	11	11	36%
C Trumpet	21	0	14	9	31%
	15	0	11	10	20%
Pauken.	10	0	5	5	30%
Bass Trompetten.	12	0	9	7	26%
6 Harfen.	28	9	14	7	23%
	25	13	13	6	24%
Trombone	19	1	10	11	23%
Harp	26	12	12	6	21%
	26	13	13	6	22%
Contrabass Tuben.	19	0	10	6	20%
4 Tuben.	12	1	8	6	19%
Timpani	7	0	4	6	19%
Kleinen Floten.	20	0	11	8	18%
Tuba	22	4	9	6	16%
Bass Clarinetten.	24	0	13	8	14%

Zu Hülfe! zu Hülfe!

nakamoto

5:51	Est. Play Time
189	Measures
	1,615Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	33	105	16	11	100%
	33	45	12	8	99%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	33	105	16	11	100%
	33	45	12	8	99%
2te Dame	17	1	3	6	72%
1te Dame	17	0	5	6	71%
3te Dame	19	0	6	6	70%
Tamino	11	0	4	7	12%

N° 13 - "Presto presto pria chei venga" . Don Giovanni - Orchestral

FranckM.

4:45	Est. Play Time
173	Measures
	3,392Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	22	5	7	11	94%
	9	0	1	3	5%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	22	5	7	11	94%
	9	0	1	3	5%
Violono I	13	0	1	4	5%
	25	10	9	12	94%
Violoncello Contrebasso	18	1	5	9	93%
	17	0	4	9	93%
Violino II	28	13	9	13	93%
2 Fagotti	21	28	8	8	81%
2 Gorni in C	10	12	0	5	79%
2 Oboi	10	6	1	3	5%
	18	27	7	9	74%
2 Flauti	16	27	5	11	69%
Don Giovanni	11	0	3	7	46%
Zerlina	13	0	5	6	45%
Masetto	14	0	4	7	36%
2 Trombe in C	7	4	0	4	30%
2 Clarinetti in C	11	11	0	7	28%
Timpani in C e G	2	0	0	5	16%
Coro Basso	7	0	0	3	13%
Tenore	8	0	0	3	13%
Violoncello e Contrabasso	8	0	1	3	5%
Violono II	12	0	1	4	5%
2 Corni ln F	5	3	0	3	5%

HWV19N9 - Sinfonia in g minor

edward.maurath

1:00	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	7	3	3	89%
	16	2	2	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	7	3	3	89%
	16	2	2	5	100%
Bassoon Continuo	16	0	2	5	100%
Contrabass Continuo	16	0	2	5	100%
Viola	12	0	1	5	100%
Violoncello Continuo	16	0	2	5	100%
Vln 1	14	0	3	8	100%
Vln 2	13	0	3	7	100%
Oboe	19	0	5	8	94%

HWV1A2N26 - Svenerò chi fa guerra a questo cor

edward.maurath

1:23	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	16	23	3	3	100%
	17	2	2	4	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	16	23	3	3	100%
	17	2	2	4	100%
Violoncello Continuo	16	0	2	4	100%
Violone Continuo	16	0	2	4	100%
Tenor as Osman	12	0	1	5	89%

WQ40 - iphignie en aulide (Gluck)

edward.maurath

8:14:19	Est. Play Time
4517	Measures
	57,351Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	609	29	13	97%
	58	373	40	11	96%
View all 26 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	609	29	13	97%
	58	373	40	11	96%
Iphigénie	21	0	15	11	18%
Achille	19	0	11	9	18%
Soprano	20	0	7	9	16%
Alto	19	0	6	9	15%
Clytemnestre	20	0	13	8	15%
Ténor	11	0	4	4	0%
	6	0	0	4	0%
	18	0	10	9	15%
Basse	13	0	3	4	0%
	19	0	9	9	15%
	15	0	2	7	1%
Agamemnon	20	0	12	8	13%
Calchas	20	2	10	8	2%
Patrocle	14	0	4	6	1%
1ʳᵉ Grecque	16	0	4	6	1%
Arcas	11	0	4	5	1%
Diane	16	0	6	7	1%
Grec	8	0	1	5	0%
Ténor 1	8	0	1	6	0%
Ténor 2	9	0	1	6	0%
2ᵉ Grecque	11	0	1	5	0%
3ᵉ Grecque	10	0	2	5	0%
Femme de la suite d’Iphigénie	10	0	0	5	0%
Esclave Lesbienne	7	0	0	3	0%

Wagner - Parsifal Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

20:10	Est. Play Time
116	Measures
	4,411Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	29	3	14	11	54%
	18	0	11	10	72%
View all 35 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	29	3	14	11	54%
	18	0	11	10	72%
B♭ Clarinet	27	0	11	11	66%
	24	0	11	10	61%
1 VIOLINEN. 2	34	2	12	9	66%
3 CLARINETTEN. (in Bb).	24	0	11	9	63%
Violins	26	0	12	9	38%
	27	0	10	9	42%
	29	4	13	9	62%
Violoncelle.	34	2	12	10	59%
Bratschen. (Altgeigen).	32	16	17	10	57%
3 FAGOTTE.	19	0	11	12	55%
Horn in F	22	1	13	9	52%
	18	1	6	9	54%
	17	0	8	9	54%
Flute	23	0	6	11	54%
	14	0	5	10	46%
1 ALTHOBOE. (Englisches Horn).	20	0	12	10	48%
3 FLOTEN.	17	0	5	10	46%
Oboe	20	0	12	9	38%
	19	0	12	10	45%
4 HORNER. (F).	17	0	5	7	43%
3 HOBOEN.	20	0	11	9	40%
Bass Trombone	17	0	7	9	38%
(2 Tenor-) 3 POSAUNE. (1 Bass-)	14	0	6	7	37%
Tenor Trombone	15	0	6	7	36%
Pauken.	7	0	3	6	30%
F Trumpet	11	0	1	7	21%
	20	0	7	8	28%
Contrabasse.	15	3	6	6	22%
1 BASSTUBE.	17	0	6	6	22%
3 TROMPETEN. (F).	16	0	6	7	18%
1 CONTRAFAGOTT.	10	0	6	5	4%
E Trumpet	5	0	1	3	4%
1 BASSCLARINETTE. (in Bb).	1	0	0	1	2%

Aria for Soprano and Orchestra (from "Mother Hulda")

Jakob Altmann

2:33	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratsche	16	0	4	6	99%
Violine	20	1	4	8	97%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratsche	16	0	4	6	99%
Violine	20	1	4	8	97%
	16	0	3	7	97%
Violoncello	20	0	5	6	92%
Fagott	13	0	3	6	73%
Sopran	14	0	4	5	60%
Horn	5	0	1	4	40%

AÏDA de Verdi : Chœurs Partie 5/10 Gran finale 2 Parte 1 : Gloria all’Egitto - SOPRANO 2 Peuple

Papibois

9:08	Est. Play Time
239	Measures
	3,731Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	41	148	19	10	96%
	38	94	15	11	96%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	41	148	19	10	96%
	38	94	15	11	96%
Peu. Sop 1	22	0	8	10	41%
Peu. Sop 2	20	0	6	10	41%
Peu. Ten	21	5	7	10	35%
Prê. Bas 2	20	1	7	9	34%
Peu. Bas	17	3	6	10	34%
Prê. Ten 2	19	0	8	10	33%
Prê. Bas 1	19	1	7	10	31%
Prê. Ten 1	22	0	9	9	30%
Re	12	0	4	11	8%
Peu. Alto	9	0	1	7	7%
Ramfis	8	0	4	5	5%
Radamès	5	0	1	5	2%

AÏDA de Verdi : Chœurs Partie 5/10 Gran finale 2 Parte 1 : Gloria all’Egitto - BASSE Peuple

Papibois

9:08	Est. Play Time
239	Measures
	3,731Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	41	148	19	10	96%
	38	94	15	11	96%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	41	148	19	10	96%
	38	94	15	11	96%
Peu. Sop 1	22	0	8	10	41%
Peu. Sop 2	20	0	6	10	41%
Peu. Ten	21	5	7	10	35%
Prê. Bas 2	20	1	7	9	34%
Peu. Bas	17	3	6	10	34%
Prê. Ten 2	19	0	8	10	33%
Prê. Bas 1	19	1	7	10	31%
Prê. Ten 1	22	0	9	9	30%
Re	12	0	4	11	8%
Peu. Alto	9	0	1	7	7%
Ramfis	8	0	4	5	5%
Radamès	5	0	1	5	2%